Here we go!
I am back....And I regret not keeping track of my reading over the past few years, so I'm recommitting to this process.
My reading, my thinking, my thinking about reading. And a few random bits and pieces.
Here we go!
I am back....And I regret not keeping track of my reading over the past few years, so I'm recommitting to this process.
Barry and Tommy Moser were born of the same parents, were raised in the same small Tennessee community where they slept in the same bedroom and were poisoned by their family’s deep racism and anti-Semitism. But as they grew older, their perspectives and their paths grew further and further apart. From attitudes about race, to food, politics, and money, the brothers began to think so differently that they could no longer find common ground, no longer knew how to talk to each other, and for years there was more strife between them than affection.
When Barry was in his late fifties and Tommy in his early sixties, their fragile brotherhood reached a tipping point and blew apart. From that day forward they did not speak. But fortunately, their story does not end there. With the raw emotions that so often surface when we talk of our siblings, Barry recalls why and how they were finally able to traverse that great divide and reconcile their kinship before it was too late.
Featuring Moser’s stunning drawings, especially commissioned for the book, this powerful true story captures the essence of sibling relationships—all their complexities, contradictions, and mixed blessings.
After: The Snake who Decided that Mice are Dinner |
Before: The Mouse who Insisted on Keeping a Snake as a Pet |
In this profoundly moving memoir, Camilla Gibb, the award-winning, bestselling author of Sweetness in the Belly and The Beauty of Humanity Movement, reveals the intensity of the grief that besieged her as the happiness of a longed for family shattered. Grief that lived in a potent mix with the solace that arose with the creation of another, most unexpected family. A family constituted by a small cast of resilient souls, adults broken in the way many of us are, united in love for a child. Reflecting on tangled moments of past sadness and joy, alienation and belonging, Gibb revisits her stories now in relation to the happy daughter who will inherit them, and she finds there new meaning and beauty. Raw and unflinching, intelligent and humane, This Is Happy asks the big questions and finds answers in the tender moments of the everyday.
Gibb’s writing is laser-like, spare — the latter achieved by omitting much of the detail typically found in memoirs (her daughter’s name, her source of income after the split). Though a memoir is necessarily one individual’s point of view, the spirit of this one is collectivist: Gibb is “saved” not by the flamboyant discovery of untapped inner reserves, but rather by the mentally salubrious effects of companionship.